![]() Old interface, tiny (worse on a 4K), cluttered. The problem with these two is that they use Kontakt, which I hate. The basic sound is less spectacular than the Spitfire solo, for example, or the VSL, but a good mix corrects this. There are two not mentioned here that are interesting: LASS, but which is very difficult to handle (at least for me), and Sacconi Quartet, which I find quite pure and very rich. I have several quartets, but I’m equally dissatisfied with all of them. On Crémona, I find the demos very good for my part, but that’s often the case with demos…I don’t know what the result would be here. ![]() If you’re not satisfied, I don’t think I’ll try it myself. UACC Spitfire Solo Strings for String Quartet.zip (1.6 MB) I’m sure a better sound is possible using a DAW and a dedicated quartet library, but this was good enough for my purposes. Here’s a rendering of the quartet if you want to hear how the instruments sound: Stream String Quartet In D Major by Tony Baker | Listen online for free on SoundCloud. In the nkm, I use CC1 to drive both dynamics and expression. So I’ve individually rebalanced the articulations. ![]() Staccato, in particular, was way too loud. I found that the articulations in the library were not well balanced. I also created a détaché technique with shortened note durations. I’ve tweaked the UACC EM that Spitfire provides to get better rendition. (I know that it’s not intended to be used for quartet, but I don’t need it to sound truly authentic.)Īnyway, in case someone else has similar needs, I’ve attached an expression map and the Kontakt nkm file that I created. In that spirit, I’ve tried various libraries, the latest being Spitfire Solo Strings. As part of that, I just need to be able to produce an audio file straight out of Dorico to accompany the score that’s “good enough” to illustrate to musicians how the piece should sound. If you buy this with the intentions on using it for soloists in music, you will find it may lack that expressive/virtuous quality and individuality you look for in soloists.I use Dorico as a composition tool. But, I will stand by the fact that they were designed to be a quartet and write more chamber like music and they certainly exceeded in creating that type of library. They just don't have what I need in a string library for the work I do. I reviewed Sacconi Strings back at release and I haven't used them since. I wasn't implying that Sacconi isn't dry enough, just that I prefer to use dryer libraries that focus on soloist performances like Embertone, VirHarmonic, OT's Soloist Series, and ultimately Spitfire Solo Strings which have some very interesting character to them that's great but again, they need to update that library. They have a specific character akin to quartet/chamber style music so the samples are slightly more reserved since they are technically an ensemble versus 4 soloists. Good luck.Ĭlick to expand.This library isn't designed for "soloist" writing. There is still a great deal of character in that library but there are better options nowadays for solo strings, IMHO. I wish Spitfire would revisit this library and give it the update it deserves. I still pull out ye olde Solo Strings to layer on my orchestral tracks to bring some more definition to a line but never as an exposed element of the orchestration. I prefer working with dryer libraries for that as it is easy to blend and work into a mix, especially since my projects don't have the budget for live players yet. My opinions? I don't use Sacconi Quartet for solo lines. Now, if you aren't worried about your final output and are going to record players to replace your solo's, Quartet is a great tool for that as it gives you a large articulation palette that is nearly identical to their Symphonic and Chamber Strings libraries. Tone, Articulation Styles, and seating placement make this library difficult to use as a "soloist" library. Sacconi, however, is a quartet that was recorded in a chamber music hall and in a way that lends itself to quartet music. It features a very basic palette of samples to accomplish lead lines in an orchestral setting as it was recorded in Air, like their multitude of orchestral libraries. It is a rather dated library but can still be useful. The last update to it was back in late 2012. So, what are the difference between the Quartet and their Solo Strings? Firstly, Solo Strings was recorded quite a few years ago.
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